Odds, Sods, Gods and Broads: The Goddess Makes Entirely Too Much Work For Herself

The cause of evil never rests, as all of you know, and as a card-carrying emissary of said evil, I work tirelessly to bring you, my minions, the most enjoyable nastiness that my fevered brain can vomit up. Yes, I bestow upon you small nuggets of nefariousness in the form of these here blog posts (and I will have a new Scary Silents up by the beginning of next week, I promise; it will either be about The Sealed Room from 1909 or Dante’s Inferno from 1911, so sit tight), but there is so much more, darklings, and perhaps you don’t realize the extent of my iniquitous empire. If you’ve read any of my previous ramblings, you’ll know that I often piss and moan about how busy I am, so for your edification, I’m gonna outline exactly what I’m doing with all my malevolent hours. So here, in handy-dandy list form with pictures and links and everything, are the ten projects the Goddess has going on right now:

1. Something Old, Something New

Like any writer, I have a fuckton of unpublished bullshit lying around on the sofa, not helping out with the rent and just generally being useless wastes of space. In order to make these shiftless little word-bums earn their keep, I’ve decided to put out a NEW print book containing a veritable gumbo of goodness: New short stories! Older short stories that appeared in anthologies years ago that you probably didn’t read! Unpublished screenplays! Even modified versions of some of my favorite posts on this very site! At the moment, the book’s working title is Salmagundi, but I might change it if I think of something better, which I probably will. It’s gonna be an epic compilation of my various brain leavings and obsessions, and you’ll all need to buy copies for everyone you know for the upcoming holiday season, or else Jesus won’t bring you any presents and Santa Claus will let his reindeer shit in your rain gutters. I will, of course, be posting the link when this literary milestone drops, so keep your eyeballs peeled.

KTPF

2. Mammoth Mountain Mischief

By now you all know that the book I co-authored with the God of Hellfire, The Mammoth Mountain Poltergeist, is the best poltergeist book ever penned and will bring about world peace in our lifetimes. In my frazzled, half-assed way, I try to promote the thing, mostly through paranormal-type radio shows and podcasts (such as here, here, and here). The GoH and I will soon be appearing on yet another one of these, the UK-based Keeping the Paranormal Friendly show! Tune in on Sunday, August 9th at 4:00pm Eastern Time and watch our sexy, Skype-enabled mugs flapping our jaws about the book. Then buy a copy in print or Kindle, goddammit.

SteveMera

3. More Paranormal Hijinks

As I believe I’ve mentioned a few times before, my above-mentioned foray into paranormal nonfiction drew the attention of British parapsychologist Steve Mera of MAPIT, and I am working with him on a book about the Rochdale poltergeist case from 1996. I’ve written the bulk of the narrative, and now the first draft of it is in Steve’s hands so that he can correct details and add his own insights. I’m not sure when this will be done, but it will definitely be soon, so again, keep watching this space.

4. Dirty, Filthy Sex

Since some of my horror stories veer into erotica territory, I’ve been toying with the idea of starting a series of straight-up erotica tales (which, since it’s me, will likely have horror elements, because I just can’t seem to help myself). These will be longer short stories, published as ebook exclusives and sold for about 99 cents each. I will also probably write them under a pseudonym, just to keep everything kinda separate, but I’m not gonna make a big secret about what the pseudonym is (when I decide on one, that is), so I’m not trying to be sneaky or nothin’. I’ve written part of an erotic short story so far, and hopefully I’d like to get to the point where I’m cranking out at least one a week. Keep the lube and tissues handy for the first moist installment!

Zodiac

5. Ambition, Thy Name is Goddess

Christ on a cream cracker, I’m already worn out and I’m only on number five. But this here is a project I’ve been mulling over for years, and I hope to have it come to fruition fully in 2016. It’s going to be a serialized novel/interactive mystery that spans several mediums. I don’t want to go into too many details, because I’m still working everything out, but I’m very excited about this and hope I can do it without fucking it all up. I’ve already got gobs and gobs of notes, layouts, designs, video scripts, and so forth; the logistics of it are complicated, but I think it’ll either turn out super cool and make me a beloved horror sensation, or flop spectacularly into a wet diarrhea fart of insignificance. Either way, it’ll be fun for me to do, so, y’know. *shrug*

6. Cooking With Satan

Here’s something you might not know: In addition to being a writer, I am also a graphic designer. Here’s another thing you might not know: I have cool-as-shit friends. One of these friends is the motherfuckin’ Vegan Black Metal Chef, who is rad and metal as fuck and has an awesome YouTube show where he cooks delicious vegan vittles whilst he serenades you with ear-bleeding death-metal tunes that describe the recipe so that you may follow along in your own kitchen/dungeon. Subscribe to him, he rules. Anyway, I have been working with him for the past several months to design a cookbook as epic as his show is, and we’ll be coming down the home stretch in the next couple months. By the way, he has a Patreon, so throw some filthy lucre in his direction. The book is gonna be badass, and seriously, you don’t have to be a vegan to want to cook some of this shit in here, because all of it is devilishly delectable. *horned hand salute*

7. All About the Club Life

Speaking of cool-as-shit friends, I have another one known as DJ Lavidicus, and he hosts the best monthly goth-industrial night in central Florida, Memento Mori at Independent Bar in downtown Orlando. Great music, great crowd, great vibe, and if you’re in the area, you need to check it out as soon as you can. The GoH and I always make an appearance, and we also have a hand in promoting the night and the scene in general! I design all the posters and promo materials! The next one is going to be on Monday, August 17th, but go to the Facebook page to keep up with dates and make requests! (Might as well check out the Facebook page I run with the GoH too, Our Gothic Orlando, while you’re at it, and also check out Cold Therapy, the band featuring the beautiful wife of DJ Lavidicus, Jen Draven.)

Oh, and I can’t mention Memento Mori without mentioning our other beloved monthly scene night, Escape at Southern Nights! Hosted by some talented and batshit insane friends of ours, it tends more toward fetish, with outrageous costumes, monthly themes, sexy dancers, crazy game shows, and general debauchery, so kindly stop by, say hello to the GoH and myself, and maybe have a chance to go up on stage and get playfully molested by a giant bunny! Here are a few videos to whet your appetite!

8. I Know People in Bands Too, You Guys

Speaking of that graphic design work I do, a large percentage of it comes from my amazing friend Imani and her company, Valkyrie Management. She manages tons of (largely) death metal bands in the area, and she’s always got shows going all over the place, for which I design several posters, tickets and T-shirts every month. Check out her page, check out her bands, go see some of them play! Live music, motherfucker!

Patreon

9. Looking for a Handout

If you have a few meager pennies left after tossing money at everything else on this list, won’t you consider dropping a few into the coffers over at my Patreon page? You can get free books and other cool shit, and I promise it’ll be a couple bucks well spent. COUGH IT UP, PEONS. Ahem. I mean, thank you in advance.

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10. Oh Yeah, That Nine to Five Thing

Did I mention I also have a full-time job doing graphic design at a printing company? I’m not gonna tell y’all where it is, though, because you might stalk me. 🙂

And now, back into the fray. Until next time, keep it creepy, my friends. Goddess out.

The Mammoth Mountain Poltergeist on Jim Harold’s Paranormal Podcast

Greetings, minions! Sorry I’ve been neglecting you, but I’ve really been inundated with work and haven’t had much chance to write any new stuff for this here blog. I will get back to it as soon as I can, but in the meantime, I took the GoH and I’s appearance on Jim Harold’s Paranormal Podcast and edited it down to the half hour that was just us, plus made a little video with photos from the book. So if you’d like to watch and listen, here you go:

Audio of Our Appearance on Jim Harold’s Radio Show

Remember a little while back, when I said that the GoH and I were on Jim Harold’s radio show talking about The Mammoth Mountain Poltergeist? Well, in case you missed it, here is the podcast that you may download and listen to at your leisure. We are on the second segment. Enjoy! Oh, and by the way, I still have that Patreon thing going, so if you’d like to contribute a few bucks and get some nice perks like free books and what not, click here and make your offerings unto the Goddess. Thank you, dears.

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I’m Not Saying It’s Demons…Five Things That Happen on Pretty Much Every Episode of “A Haunting”

The Goddess, as I may have mentioned before, is a hardline skeptic down to the very depths of her shriveled black core. But wait, I may hear the peanut gallery insisting. Didn’t you just write a book called The Mammoth Mountain Poltergeist, which you maintain is a true story? And aren’t you at this very moment working on a new book with parapsychologist Steve Mera about yet another true poltergeist account? Yes and yes, and also, don’t question me, mortal. While I’m willing to entertain the scientific possibility that there’s some weird shit the human brain is capable of that may account for so-called “poltergeist” infestations, and while I absolutely believe that the GoH’s and Steve Mera’s accounts of their experiences are 100% genuine, I have to say that in the vast, vast majority of cases of purported hauntings and poltergeist attacks, I firmly believe that the witnesses were probably mistaken, or misattributing natural phenomena to paranormal shenanigans, or straight out making the whole thing up for attention.

All that said, I love me some paranormal TV shows, if only for the sometimes creepy but usually unintentionally hilarious entertainment they provide. The GoH is also a big fan, and in fact, for his birthday a couple years ago, I bought him a box set of the first four seasons of “A Haunting,” and he has watched those discs so many times that I think we can both recite most of the episodes from memory. The newer shows aren’t quite as fun as the older ones, as it seems like the producers are constantly trying to top themselves with crazier and crazier shit until any semblance of believability has flown out the window, but we still find them fairly enjoyable to watch and dissect.

When you’ve seen the episodes as many times as we have, though, you start to notice definite patterns and formulas to the stories they choose to re-enact. Not all of the episodes adhere to the formula strictly; there are a couple of wild cards in the lineup, but I can safely say that roughly ninety-five percent of “A Haunting” episodes feature one or more of the following tropes:

1. The Women and/or Children in the Family Start to See Weird Shit First, and the Husband Doesn’t Believe Them Until He Either Sees It Himself or is Possessed by a Demon

This is probably the most common attribute of the stories by a significant margin. In a great majority of episodes, the husband/boyfriend works nights (who knew there were so many dudes working the night shift?) or is otherwise not in the house very much to witness the phenomena. I’m not sure why so many of the families featured on the show adhere to the traditional “man works while woman stays home” structure, since I know so few families in real life who can still afford to have one spouse not in the workforce, but maybe ghosts and poltergeists are more likely to strike stay-at-home moms for some reason known only to them (they’re just in it for the play-dates, man). Or perhaps the show producers like to finagle the stories somewhat to make them “scarier” by having the ghostly shit happen to the more “vulnerable” members of the family first. I could probably write a whole book on the cultural significance of this, and what it implies about the producers’ perception of their intended audience, but I’ll leave that for another time.

Here’s what almost always happens: The family moves into a cool old house (and it’s almost always old and in need of renovation; I guess there isn’t really anything scary about amorphous demon-shadows flitting through a modern high-rise apartment). The wife and children begin to feel uncomfortable in the place right away, and sometimes hear footsteps or voices, or notice that things are moving around on their own. Of course they tell the big manly man about their experiences, but the manly man is usually dismissive, because bitches be crazy, obviously. At one point the wife and children will beg to move out, but the manly man will pooh-pooh this idea—because he is rational and practical, dontcha know—and insist that the family’s finances are far more important than the wife and children’s safety or comfort. The wife and kids are stressed out, both by the bizarro shit happening to them and by the lack of sympathy displayed by the manly man.

Well, we have silly lady brains incapable of perceiving reality effectively, so that eerie chanting we're hearing up there must just be the squirrels in the rafters.

Well, we have silly lady brains incapable of perceiving reality effectively, so that eerie chanting we’re hearing up there must just be squirrels in the rafters.

But then, about halfway through the episode, manly man will get thrown out of bed by a ghostly whatsis or otherwise have something inexplicable and dramatic happen to him that finally makes him see the light, at which point I always turn to the GoH and say, “THEY NEVER LISTEN TO THE WOMEN. YOU ALWAYS LISTEN TO THE WOMEN IN HORROR STORIES.” I think the occurrence of this that pissed me off the most happened in an older episode whose title I can’t recall (because the titles rarely correlate closely with the subject matter; see point 4). The wife, home alone of course, begins to hear what sounds like someone walking around up in the attic. She calls her husband at work and tells him, and he brushes it off, telling her it’s her imagination. Now, at this point she’s not even saying that there are ghosts up there, yo. She just hears what she thinks is a person, probably a murderer, walking around in their house. AND THE HUSBAND DOESN’T WANT TO COME HOME TO HELP HER. Imma tell you something for free: If I was home by myself and heard somebody WALKING AROUND IN MY ATTIC, you can bet your diamond-encrusted Ouija board that the GoH would be home as fast as his little motorcycle would carry him, and before you could blink he would be pounding up those stairs with loaded gun in hand, demons or no. Don’t hang with dudes who evidently don’t care if you get sliced up by an attic psycho, ladies. Y’all deserve better than that.

A demonic hellbeast emerging from the toilet, you say? Good God, woman, can't a man nap in peace???

A demonic hellbeast emerging from the toilet, you say? Good God, woman, can’t a man nap in peace???

There is also a variation on this theme in which manly man slowly starts to become possessed by the entity in the house, often without realizing it. This variation appears in the GoH’s favorite episode, “The Haunting of Summerwind,” in which hubby Arnold begins to go batshit, playing an old organ at all hours of the day and night, losing his job and all his money, and turning into a general garbage person who shrieks at his family for perceived slights and kills their pet raccoon purely out of spite (and you’d better believe that a crazily-screeched “WHERE’S THAT RACCOON?!?!” has become a common joke in the Hellfire household; it works in a surprising number of circumstances). There was also another episode where the manly man was evidently overtaken by a particularly assholic spirit and then tried to kill his wife with an ax. So that’s nice.

And I'm right here, by the way. Hi.

And I’m right here, by the way. Hi.

2. Even if the Main Spirit in the House is Benign, There Will Always Be Another Evil One Lurking in There Somewhere

Obviously, because this show is supposed to be scary, a sweet little helpful ghost who causes no distress and simply whooshes through the halls being all translucent and adorable just ain’t gonna cut it. There have been several episodes that featured a sad little kid ghost (“Sallie’s House” is probably the most obvious example), but you can bet that where sad little kid ghosts appear, evil murderer ghosts are never far behind.

Don't mind me, I'm just a harmless little spectral girl, minding her own business and not at all waiting to reveal myself as a dark minion who will claw off your face. Nothing to see here, la la la.

Don’t mind me, I’m just a harmless little spectral girl, minding her own business and not at all waiting to reveal myself as a dark minion who will claw off your face. Nothing to see here, la la la.

Well, now, that's just rude.

Well, now, that’s just rude. (Unless that says “Pie Now,” in which case, gimme.)

In almost all cases, the mean ghost is the one who killed the kid ghost and is holding the kid ghost hostage in the human realm, presumably because they enjoyed being a dick so much in real life that they thought their dickishness should continue indefinitely into the afterlife. Alternately, the kid ghost is not a kid at all, but is rather a demon from hell who cleverly disguises itself as a kid to worm its way into the family all innocent-like. Often, the demon will get to the children first using this strategy, as he pretends to be an imaginary friend who slowly reveals himself to be evil incarnate. My very favorite example of this was in the aptly-named “Demon Child,” which featured a kid named Cody and his imaginary buddy named “Man” (real creative, there, demon). Man would make Cody behave like a total bratling, throwing tantrums and peeing in his closet (so, just like a regular six-year-old boy then). Just like the raccoon thing, Man has become a go-to joke in our house, and we will often invoke him as a justification for our own terrible behavior, like so:

Me: “Did you use the last of the Almond Joy coffee creamer?!?!”

GoH: “MAN SAID I COULD!!!”

Use it yourself; it’s fun!

Man said I could make you sit through a 12-hour marathon of The Teletubbies, mom.

Man said I could force you to sit through a 12-hour marathon of The Teletubbies, mom. Deal with it.

3. A Priest Will Be Called In to Deal with the Problem, and Will End Up Making It Worse, After Which a Magic Native American Will Recommend Smudging the House with Sage

If I’ve learned one thing from watching “A Haunting,” it’s that when dealing with paranormal chicanery, you should never, ever, ever get the church involved (not that I would anyway, because I’m an atheist, but you know what I’m saying). I admit that this trope has faded on the newer episodes, because I’m pretty sure that the production company that bought the show in 2012 has a religious agenda, but it’s a fairly common plot device on the older shows. The family, at the end of their tether due to the entity-based zaniness, will call in a priest when they have exhausted all of their other ideas. The priest will arrive, looking all pimpin’ like they do, and either perform a half-assed blessing and/or flee from the house in terror after seeing a crucifix catch fire or some shit. Generally, the phenomena will cease for a few days after the priest’s visit, just so the show doesn’t make men of the cloth appear totally useless. But because you’ve seen this show before and because there’s still fifteen minutes of runtime remaining, you just know that the clever demon has simply lulled the family into a false sense of security before unleashing even more supernatural fuckery. You think some old codger in a dress can just come in there and sprinkle some holy water about the place and make EVIL disappear? You best think again, viewer. All the priest did was piss the demon off, and he will now rain even more infernal vengeance upon your cowering ass as punishment for your feeble attempts to dislodge him from your domicile.

I joined the priesthood to avoid work, not waste time dealing with your spiritual bullshit.

I joined the priesthood to avoid work, not waste time dealing with your spiritual bullshit.

Usually, after the church has failed miserably (YOU HAD ONE JOB, HOLY MAN), someone in the family will call up a flaky psychic chick or a medicine man they happen to know, because everyone on this show happens to know one. Said mystical and new-agey personage will always recommend “smudging” the house with sage, which in practice entails lighting a big ol’ bundle of the stuff and waving it around all the rooms in a manner that frankly seems even less effective than the cross-and-holy-water combo, but what the hell do I know. Evidently, in much the way that mosquitoes are repelled by citronella candles, evil entities cannot abide the smell of sage, and will abscond through the windows at the first subtle whiff of the stuff, leaving to haunt the neighbors’ house or possess some hapless little kid who happened to be riding his Big Wheel down the sidewalk out front. But whatevs, as long as they’re out of YOUR hair, amirite? This usually works as a last resort, but on a few episodes the sage was just as worthless as the other religious voodoo, and the family is forced to extricate themselves from their mortgage or rental agreement in the most ridiculous way possible.

Pictured: the kryptonite of the spirit world.

Pictured: the kryptonite of the spirit world.

4. The Title of the Episode Will Have Little to Nothing to Do with the Episode’s Content, Will Just Be Generic and Applicable to Pretty Much Any Other Episode

As many times as I’ve seen these episodes, I STILL have a hard time remembering which title corresponds to which episode, for this very reason. While a handful of shows are simply titled according to the locations where they happened (“A Haunting in Florida,” “The Wheatsheaf Horror,” “Nightmare in Bridgeport”), the rest of the shows have titles that wouldn’t seem out of place on one of those cheapie, indistinguishable, direct-to-DVD horror flicks you find yourself indifferently scrolling through on Netflix at 3am. “Echoes from the Grave” could refer to pretty much any story featured in the series’ run, as could “House of the Dead,” “Darkness Follows,” “Hidden Terror,” “The Presence,” “Stalked by Evil,” or my personal favorite, “The Diabolical,” a title made even more delightful by the fact that whenever some demon-based shit begins to happen on any episode, the GoH will turn to me, raise one eyebrow, and go, “I’m gonna have to say it. This shit is getting [dramatic pause and switch to creepy whisper] diabolical.” Trust me, it never gets old.

The Terror Echoes of the Past That Haunted the House of Nightmare Horrors from the Darkest Pits of Hell, next on Destination America.

The Terror Echoes of the Past That Haunted the House of Nightmare Horrors from the Darkest Pits of Hell, next on Destination America.

5. At Some Point, a Woman Will Be Seen Doing a Load of Laundry, and Also Will Probably Find a Pentagram Under a Carpet Somewhere

Seriously, WHAT is with women always doing laundry on this show? Does someone on the production team have a Maytag fetish? It’s mind-boggling, and frankly a little, yes, diabolical. Look, I understand laundry has to be done quite often, depending on the size of the family portrayed, and I understand that since most of the women on the show are “housewives” (ugh, the 1950s called) they will end up doing the bulk of the laundry because their husbands are too busy out earning that almighty paycheck or banging hookers or scoring blow or whatever it is that they do when they’re not in the house helping out their harried and haunted spouses. I get that. I also get that when they film the re-enactments, they want to show the actress doing something productive in the house rather than just sitting around on the couch watching reruns of “River Monsters” and stuffing cheese curls into her maw (which is usually what I’m doing, if I’m being perfectly honest). But dammit, there are other things she could be doing, show writers. Aren’t there dishes to be washed? Catboxes to be emptied? Baseboards to be scrubbed? Couldn’t she be, I dunno, replacing the power steering fluid in her SUV in the garage? Learning Swahili? Synthesizing DNA? Practicing her trapeze act? Building a scale model of the Taj Mahal out of mashed potatoes? House-training her tame bonobo? ANYTHING other than gathering up her husband and children’s filthy underthings and carrying them about the house in a little plastic basket? Evidently not. For the women of “A Haunting,” it’s just one vast, endless wasteland of soiled Tuffskins and fabric softener, topped off by the occasional ass-pinch from a ghost in the eerie, lonely laundry room, which is always, ALWAYS in the dimly-lit basement (and I live in Florida, where basements are very thin on the ground, so for all I know laundry rooms are always in the basement in other parts of the country and that part of the show is entirely accurate).

Is it bad that I'm kinda hoping for a haunting to liven up this drudgery?

Is it bad that I’m kinda hoping for a haunting to liven up this drudgery?

Use the spray starch next time, this gown is chafing like a motherfucker.

Use the spray starch next time, this gown is chafing like a motherfucker.

Speaking of basements, more often than not, there’ll be a ratty old carpet down there that will inevitably be kicked aside one joyless, laundry-filled day to reveal a sloppily-drawn pentagram in red paint that looks suspiciously like bloooooooood, you guys. PEOPLE HAVE BEEN TOYING WITH SATANISM IN THIS BASEMENT, AND SHIT’S ABOUT TO GET REAL. Alternately, the pentagram will appear under some peeling wallpaper or in a hidden room at the back of a closet, but the upshot is always the same: The credulous geezers who are watching the show and taking it seriously still remember the Satanic Panic of the 1980s and will proceed to pee their pants in terror at how some irresponsible goth kid who used to live there went and LET THE DEVIL IN. And then the poor lady on the show will have to do another load of urine-soaked laundry. Poor wives just can’t catch a break, folks.

Hmmm, what could this strange symbol portend? Could it be...SATAN???

Hmmm, what could this strange symbol portend? Could it be…SATAN???

ETA: After I talked to the GoH about this blog post, he reminded me of a couple of other recurring amusements in these episodes that I had forgotten all about! For example, the music on the soundtrack, he points out, will always match the person on screen in the most obvious way imaginable. Asian dude? Plinking “Chinese” music. Native American? Tribal drums and chanting. Priest? Something that sounds like Enigma. Likewise, a successful exorcism of the entity will always be accompanied by a heavenly light and the sound of an angel choir, especially in the newer episodes. It’s pretty egregious and funny; watch for yourself! Also, he notes, whenever the family in the re-enactment has a teenage daughter, the cameraman will linger juuuuuust a little too long on her pert teenage booty, even if her character is supposed to be fourteen years old. Eeeewwwww.

Hope you’ve enjoyed my fanciful ramblings, and remember, the book I co-authored with the GoH, The Mammoth Mountain Poltergeist, is available in print and ebook formats, and is guaranteed 100% priest, raccoon, and demon free. Until next time, keep it creepy, my friends. Goddess out.

God love the Warrens.

God love the Warrens.

Parchment to Pixel: “The Enfield Haunting”

Readers should not be surprised to find that I’ve had poltergeists on the brain recently. Not only have I been doing radio shows to promote The Mammoth Mountain Poltergeist (such as here and here), but I’ve also been working on a new book in conjunction with parapsychologist Steve Mera about one of the poltergeist cases he investigated in the 1990s. So those “noisy spirits” have been the overarching theme for the last few weeks of my life, if you catch my drift.

And because I love nothing so much as overkill, I decided to mine the poltergeist thang for this newest entry in my Parchment to Pixels series. Sky Living in the UK recently began airing a three-part miniseries based on the very famous 1977 Enfield Poltergeist case (which I actually summarized in my own Mammoth Mountain book, in the chapter on related cases). I’ve only seen the first two parts so far, but I thought I’d share my impressions, and perhaps edit this post or write a new one after the final installment airs. We’ll see how it goes.

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Called “The Enfield Haunting,” the miniseries features an impressive cast of British acting heavyweights, like Timothy Spall, Matthew Macfadyen, and Juliet Stevenson (as Maurice Grosse, Guy Lyon Playfair, and Betty Grosse, respectively), as well as some terrific child actors portraying the put-upon Hodgson brood. Eleanor Worthington-Cox (of Maleficent fame) as Janet Hodgson is especially good.

The series is very loosely based on Guy Playfair’s paranormal classic This House Is Haunted, and Playfair himself shares writing credit on the show (with Joshua St. Johnson). Having read the book myself about a year ago when I was researching my own book, I will say that this series is definitely not the place you want to go if you simply wish to see the tale told realistically; the show is heavily, heavily dramatized, features several big scares that were not in the book, and hews to a more traditional horror movie structure. There’s nothing wrong with that, of course, as long as you know what to expect, but I have to say it was a little jarring for me at first, until I just relaxed and went with the flow instead of going, “Uh, no, that didn’t happen like that” every five minutes. By the way, if you’d like to see a more low-key rundown of the purported facts in the case, there’s a documentary here that’s actually pretty interesting. Oh, and from here on out, I’m likely gonna be spoiling some shit, so if you haven’t watched the series yet, YOU HAVE BEEN WARNED.

The Enfield Haunting Sky Living Episode 1 Doug Bence played by Tommy McDonnell shows Maurice and the Hodgsons the headline. Timothy Spall plays Maurice Grosse. Rosie Cavaliero as Mts Hodgson. Fern Deacon as Margaret. Credit: Photograph by Nick Briggs

You can read about the Enfield case on Wikipedia or in Playfair’s book, so I’m not gonna summarize it here, but I’d like to point out a few places where the series very obviously hyped up the terror and the drama from the fairly matter-of-fact reports of the paranormal investigators who worked on the case.

Though it is true, for example, that Janet supposedly channeled the spirit of a man named Bill who had died in the house (he’s named Joe in the series, for some reason), I don’t recall that she ever actually claimed to have seen an apparition of him. Bill manifested himself mostly as a creepy voice that would issue from Janet’s throat (or from behind her, as she claimed) and say nonsensical things, swear profusely, or occasionally come up with some tidbit about his death that actually did check out later. In the series, though, the spooky old fuck is everywhere, first appearing (in a pretty effective jump scare, I have to admit) when Janet is looking through her sister’s Viewmaster, and subsequently popping up outside of windows and so forth. Once he even turns up in the living room downstairs, puts his hand over Janet’s mouth as though to suffocate her, and (presumably) kills the family’s pet canary. And when Janet speaks in Joe’s voice, it is portrayed as possession, more or less.

Enfield Poltergeist 2

In fact, so far in the series, it seems as though the horrible Joe (who, it is hinted, was a molester/abuser when he was alive, according to his son, who Maurice Grosse interviews at one point) is painted as the main antagonist and a definite evil presence in the home who is on a quest to hurt Janet. In the second episode of the series, Guy brings in a psychic who makes contact with Joe, and after doing so, warns the family and the investigators not to try to contact or interact with him again, because he is the literal worst.

This is quite different to the book, in which it’s pretty much understood from the get-go that the “poltergeist” is not the spirit of a dead person at all, but rather the psychokinetic energy produced by Janet and, to a lesser extent, her sister Margaret, evidently triggered because the children were under intense duress after the departure of their father and their subsequent fall into further poverty. I don’t remember a psychic being called in by the investigators in the book, but if there was, then the psychic certainly didn’t channel a demonic old man or give the investigators such a grave warning. EDITED TO ADD: I was a bit mistaken in this. After discussing the book last night with the God of Hellfire, who read it at the same time as I did (I read it aloud to him after buying it for him for his birthday, matter of fact), he says that the investigators called in several psychics, none of which were much shakes, mostly just spouting useless “I feel a presence” type stuff, as most psychics are prone to do. Interestingly, though, the GoH remembers the last psychic that was brought in actually stopped the phenomena from occurring for good, or at least happened to be present when the phenomena stopped on their own.

The paranormal experiences portrayed in the series, in fact, pretty much take the gist of what was actually reported in the case and then ramp it up a hundredfold to make it as scary as possible. The splashiest things reported at Enfield in 1977 were things like furniture moving on its own, small objects (books, LEGO bricks) flying about the room, Janet’s weird “Bill” voice, some possible levitation, and a couple of apportations. In the series, though, Guy Playfair gets bodily thrown against a wall by an unseen force, Janet is nearly strangled by a possessed curtain (which actually only wrapped itself around her midsection briefly in real life), and sister Margaret begins speaking in the Joe voice as well, as though the “spirit” is moving from person to person.

David Soul seems unimpressed by the flyin' Guy.

David Soul seems unimpressed by the flyin’ Guy.

The relationship between Grosse and Playfair in the series is also far more contentious than it was in reality, and while I understand this was done to heighten drama and turn the whole thing into a more typical film narrative, it still struck me as strange, especially since Playfair himself was a co-writer on the series. In the actual case, Grosse and Playfair were both members of the Society for Psychical Research, and were casual friends. Grosse began working at Enfield, and at a meeting of the SPR asked the assembled members for assistance. Playfair volunteered, as he had at that point written several books and articles on paranormal topics and was experienced in the type of phenomena being reported. That’s about as conflicted as I remember their relationship being, i.e., not at all.

The Enfield Haunting Episode 1

In the series, though, Grosse begins camping out at the Hodgson home, doing his investigation thing, when Playfair shows up unexpectedly, offering help. It comes to light later that the bigwigs at the SPR have sent him to keep an eye on Grosse, since the SPR are thinking that Grosse has become too credulous and unstable since the death of his daughter, and is maybe going to screw up the case and make the SPR look like idiots. While it is certainly true that the real Grosse’s interest in the paranormal was sparked by his desire to contact his daughter (also named Janet), who died young in a motorcycle accident, in all the interviews I saw with him and in everything I read about him, he never struck me as any more credulous than anyone else in the field, and in fact seemed pretty level-headed, maintaining a healthy skepticism about the paranormal in general.

In a way, I almost wish I could just watch “The Enfield Haunting” as is, without knowing anything about the actual case, because I think I would enjoy it a lot more. It’s certainly a top-notch production, from the stellar acting performances to the fantastic cinematography to the wonderfully eerie vibe that permeates the entire endeavor. It’s creepy and pretty great, as a matter of fact; it’s just a shame that I’m so familiar with the source material that such a drastic fictionalization of it is sort of bothersome for me to watch (I’m sure I’ll feel the same way about the upcoming film The Conjuring 2, which will also be based on Enfield). It’s no fault of the series, really, and I actually do recommend it to those with an interest in such things. Besides all that, as I was watching it I couldn’t help but wonder what a Hollywood adaptation of my own book The Mammoth Mountain Poltergeist would look like, and I can’t decide if the thought is hilarious or horrifying. Anyway. More to come later, possibly, when I’ve seen part three of the series, so come back next time, same bat time, same bat blog. Until then, Goddess out.

UPDATE! Okay, the GoH and I actually did watch the third and final part of this last night, and I have to say, I think in my previous viewing I was being a bit too kind vis a vis the series wildly deviating from the source material. While I still stand by my statement that the series is good and well-made if you don’t happen to know anything about the original case, the final segment really went flying off the rails and abandoned any semblance of reality. It seemed as though as the series neared its climax, the writer(s) no longer felt the need to simply sex up the reported facts of the case and instead went whole hog with just making shit up. Interestingly, the GoH tells me that he located an interview with Playfair on the internet (I can’t find it at the moment) in which Playfair said that he was unhappy with how the series had turned out, and that when he had been given partial writing credit he had been promised that the series would closely follow the actual facts of the case as he had written them in his book. He claimed that the actual facts he had reported were scary enough without having to go all Hollywood on the thing, and if that’s true then I kinda feel bad for him. As I said, I can’t find the interview myself, but the GoH read me bits of it last night, so make of that what you will.

As I said before, the series ran with the theme of making the poltergeist phenomena attributable to a ghost of some kind, although it did pay some lip service to the idea that Janet was causing the manifestations using psychokinetic energy powered by her repressed rage (there is one amusing scene, for example, where Grosse takes Janet to an airport and lets her scream out her frustrations to her heart’s content as the planes roar overhead).

Let the hate flow through you.

Let the hate flow through you.

This reasonable hypothesis is undermined, however, by pretty much everything else in part three of the series. There is crockery flying around everywhere, sinks full of blood, a tiny Tinkerbell-like light that torments and burns the girl, multiple apparitions, full-on possession of both Janet and the returning psychic; the shit just gets ridiculous. I think the most egregious example of this is when Janet is taken to the hospital after she breaks her thumb during a particularly violent poltergeist attack. In the real case, Janet (with no broken bones, it should be said) is simply sent to the hospital to have a standard examination, to rule out any mental or physical illness. She is given a clean bill of health and is sent home. In the series, however, she is put in a private ward, drugged all to hell (with the nurses soberly intoning that she can somehow withstand a HUGE amount of sedatives without seeming fazed), strapped to a bed, and threatened with electrical brain zapping. Later the bed dramatically flips over with the restrained Janet still on it. The girl’s mother, perhaps to save her from the suggested brain zapping, tells the hospital administrators that the family simply made the whole poltergeist thing up for publicity and that all she has to do is have a word with Janet and the whole thing will stop. Playfair and Grosse are both present at this meeting, and feel betrayed, though I guess the family didn’t really make it up because everything is okay with them later, though this is not shown. It’s a tad confusing, but whatever. It should be unnecessary to point this out, but none of this even remotely happened in the book; as far as I can recall, this was made up by the series writers from whole cloth.

There is also a rather silly scene where Playfair attempts to “exorcise” Joe by showing Janet the man’s ashes in a jar and trying to get his spirit to move on. Nothing like this happened in real life either, especially not the bit where Janet seemingly made the jar levitate up to the ceiling and then shattered it, showering everyone present with dead people ashes. The investigators never attempted an exorcism, and wouldn’t have attempted one in any case, since they were operating under the assumption that Janet herself was causing the phenomena.

Another aspect in which part three deviates quite a lot from the source material is Janet’s apparent channeling of Grosse’s daughter, and Grosse’s subsequent mental breakdown. He blames himself for his daughter’s death, you see. His wife leaves him (they make up at the end, though), he pretty much falls apart, and begins using Janet as a sort of surrogate daughter. Grosse in real life seemed like an okay dude, and I feel this does him a disservice. Of course the real Grosse was devastated by his daughter’s death, but he never once claimed that his daughter had contacted him, either through Janet or otherwise. And yes, he did become very fond of Janet and her family, as you would any group of people you remained in close contact with for more than a year, but I did not get the impression that he felt Janet Hodgson was trying to give him messages from his daughter. In the series, it almost seemed as though Grosse ultimately became the catalyst for the poltergeist and not Janet; at one point, Janet tells Playfair that Grosse is the one keeping the poltergeist there because he has unresolved issues about his daughter’s death, and indeed, the poltergeist phenomena doesn’t stop until Janet, speaking in Grosse’s daughter’s voice, tells Grosse that she is fine and that there is no need to forgive him for her death because it wasn’t his fault. It all just seemed very pat and more typical of a horror movie than a real, documented case, which generally has no rhyme or reason at all. So that rankled more than the earlier instances of embellishment, which at least bore some resemblance to the real reports.

Do I still recommend it? Sure, if you like poltergeist movies. But don’t expect it to be anything like what actually happened. If you’re okay with that, then go to town. The series definitely had some eye-rolling moments, but on the whole it was decently creepy, and the acting was mostly quite good. So, for the second time, Goddess out.

Our “Beyond the White Noise” Show!

Here’s the show we were on last night if you missed us! This was a super fun show to do; the guys were really funny and chill. Enjoy, and subscribe to Beyond the White Noise Paranormal on YouTube!

And FYI, we don’t actually look like a single white Fisher-Price person on a pale blue background; seems the visual feed of us from Google+ kinda shit the bed (maybe poltergeist forces prevented us from appearing on video, haha), but you can hear us just fine, and you bitches probably know what we look like anyway.

This and this, respectively.

This and this, respectively.