Here is an Interview with ME on the See You On The Other Side Podcast!

Listen to me shooting the shit about poltergeists and the paranormal, as well as about my horror fiction, the 13 O’Clock Podcast, and various horror movies I like!

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Our Podcast is Now on the Project iRadio Network!

Our brand spanking new podcast is now going to be a regular weekly show on the Project iRadio network of podcasts, thanks to Armand Rosamilia and Jess Roberts. Please check out our first episode over there and listen to some of their other awesome shows too! Also, don’t forget to check us out on Facebook and Twitter, and subscribe to our YouTube channel.

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We Started a Podcast, As You Do

If you ever wanted to listen to the God of Hellfire and I blathering away about various topics of interest to weirdos everywhere, you, my friends, are in luck. We have started a podcast called 13 O’Clock, which will feature subjects ranging from supposedly real paranormal cases to unsolved historical mysteries to bizarre religious cults to creepy serial killers to horror movies and everything in between. Some of the episodes will be just us, some of them will have awesome guests like parapsychologists, writers, musicians of a darker nature, and so forth.

On our inaugural episode, we discuss the tragic case of Doris Bither, whose alleged poltergeist attacks were the basis of the 1982 film The Entity; and on the second half, we delve into one of our favorite topics, conspiracy theories and hidden meanings in Stanley Kubrick’s horror classic The Shining.

Listen to the audio-only version right here, and if you want some relevant visuals to go along with our musings, then I also made a pretty YouTube video version, which you may watch right here.

Also, subscribe to our 13 O’Clock channel on YouTube, like the Facebook page, and follow us on Twitter. Thank you, and Goddess out.

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Hulu Horror Double Feature: The Inhabitants and Wax

It’s another lazy Saturday afternoon, my horror honchos, and that means it’s time for another random double feature to while away the weekend hours. Today’s mix was a pretty strange juxtaposition, I gotta say, but it ended up a generally better viewing experience than last time, so let’s jump right in. Oh, and I know I usually forget to say this, but there will probably be some spoilers ahead, though I’ll try not to ruin anything completely.

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First up, The Inhabitants from 2015, directed by Michael and Shawn Rasmussen. Hot damn, this was a good one. It had pretty much everything I like: a spooky old house in New England, an atmosphere of increasing dread that never showed too much or went too far over the top, and best of all, Salem witches, you guys! Yay, I love witches!

The setup of the story is simple in the extreme. Jessica (Elise Couture) and Dan (Michael Reed) are a young married couple who decide to purchase the March Carriage Bed and Breakfast when the elderly folks who previously owned it died (in the husband’s case) or got sent to a nursing home (in the wife’s case). One thing I should point out that gave this movie an added bonus of historical eerieness is that the house where it was filmed actually once belonged to the Reverend Samuel Parris, whose daughter and niece kicked off that whole Salem Witch Trial thing with their crazy accusations. Nice job, girls. 😦

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So, pretty standard creepy shit starts to go down once the couple get moved in; floorboards creak like someone’s walking around, some kinda menacing teenagers hang out in the woods like they’re watching the place, and so on. Jessica begins to research the history of the house so she’ll be able to tell their potential guests some interesting anecdotes, and it turns out that the house was once the home of a 17th-century midwife who was accused of and eventually hanged for witchcraft. The couple find a “gently used” birthing chair in the basement, to boot. Eeeewwwwwww.

The festivities don’t really begin in earnest until Dan is conveniently called away for a few days on a business trip, leaving Jessica in the house alone. I won’t spoil too much, but when he returns, he finds that Jessica has…changed, and not necessarily for the better.

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The thing I loved most about this movie was its consistently tense, claustrophobic atmosphere. The house itself is so eerie and so effectively filmed that the whole movie just drips spookiness during its entire running time. I also liked the measured pacing of the film; steady, not in any hurry to get anywhere, but subtly ratcheting up the dread as it went along. Another thing I really liked was that everything was done through suggestion; there was no splashy gore, not many jump scares, and a lot of plot aspects were left ambiguous for the viewer to puzzle over. For instance, who installed those video cameras in all the rooms? What were those teenagers doing out in the woods, and exactly what were they planning to do when they broke in? What ultimately happened to Dan and Jessica’s dog Wylie? Where did the “children” originally come from, and why did they need to be “fed?” These questions are not answered outright, but it doesn’t matter; it all just adds to the overall ambience. I would recommend this film unreservedly to anyone who enjoys slow-burn haunted house flicks as much as I do; I thought it was really fantastic and effective.

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Next up was a film that was a whole different kettle of fish, and while I didn’t dislike it, it gave me a lot more mixed feelings than The Inhabitants did. Part found-footage, part torture porn, part self-referential homage, the 2014 Spanish movie Wax was directed by Victor Matellano and featured a bunch of genre-specific cameos, including Geraldine Chaplin (daughter of Charlie), Jack Taylor (who starred in some of Jess Franco’s films), and the voice of Paul Naschy. It was a fairly enjoyable movie on the whole, but I feel like it was a little unfocused and too long and drawn out to really ring my bell, if you know what I’m saying.

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The conceit is this: Muppet-haired smart-ass and horror geek Mike (Jimmy Shaw) is hired by a TV producer (Geraldine Chaplin) to be locked into a supposedly haunted Barcelona wax museum overnight, and film a documentary-cum-reality-show while he’s in there. Interwoven with this narrative is the story of the subject of the museum’s newest exhibit—a notorious and cannibalistic serial killer named Dr. Knox, who had a thing for gadding about dressed like Vincent Price’s character in House of Wax and eating his victims’ internal organs while they were still alive.

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So Mike is wandering around the dimmed museum, filming his reality show, and every now and then there’s an intercut of footage of Dr. Knox addressing the camera and describing whatever indignities he is visiting upon his current unfortunate victim. These interstitials are described in-film as being videos that were found in one of Dr. Knox’s hideouts after his arrest, and the museum has them playing on a loop near his wax figure. Fun for the whole family! These bits of the movie are actually fairly gruesome, but nothing to really put you off your lunch or anything, unless you’re super squeamish.

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At about the halfway point of the movie, some paranormal-type stuff starts happening around the museum, like figures seemingly moving, props falling over, mysterious lights, and a red ball that is significant to the plot turning up in the darnedest places. Then, during one of Mike’s scheduled phone calls with the TV producer, it comes to light that Dr. Knox has escaped from prison, and wouldn’t you know it, Mike soon starts seeing him lurking around the museum and understandably begins to freak the fuck out.

One thing I will say about the found footage aspects of the film, is that I thought the trope was pretty effectively utilized here, especially near the end, when Mike is being pursued around the museum by Dr. Knox and only has that creepy green night-vision mode to see by. The museum itself, which I’m guessing is probably a real one, also looks terrific and suitably unsettling, especially in Mike’s POV shots, because you can really get the palpable sense that you’re walking through this spooky-ass place in the dark yourself.

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But overall, I felt like the movie just didn’t hang together all that well, like it was trying to be too many things at once. And I was also left pretty confused by what was actually going on at the end of the thing. AHOY! SPOILERS AHEAD! Okay, so at the end, we’re led to believe that the TV producers had actually set the whole thing up, that Dr. Knox was not actually in the museum, and that they were deliberately trying to drive Mike crazy (or crazier) to make a good TV show. Were they actually planning for him to die of fright, or was that just a lucky side effect? Also, Mike’s wife and kid were killed by Dr. Knox? And he didn’t know it? I mean, he must not have known, because he didn’t seem any more squicked out by the Dr. Knox murder footage than a normal person would be. It wasn’t really made clear whether he even knew his wife and kid were dead, honestly. I mean, there was that one scene where he was kinda getting weirdly friendly with a wax figure of a prostitute and saying how much he missed his wife, but I thought that was because she had left him, like she said she was going to in that one flashback he had. If that’s not what happened, then what was the point of that brief flashback where she said she was gonna leave him? And when he showed the picture of his son Rob to the museum curator at the beginning, he referred to the kid in the present tense and didn’t act all sad or like the kid was dead or anything. So like, in light of the ending, were we supposed to interpret that as a symptom of his mental illness, or what? I just feel like that whole situation wasn’t conveyed effectively, and neither was the line between what was really in the museum, what was set up by the producers, and what was only in Mike’s imagination. It didn’t really ruin the movie or anything, but it was sort of frustrating nonetheless.

This one…eh, I could have taken it or left it. I wouldn’t really recommend it unless you think it’s the kind of thing you’d be into, but keep in mind that it’s kinda meandering and goes on way longer than it needs to. Not bad, but not great.

Until next time, keep it creepy, my friends. Goddess out.