The Rochdale Poltergeist Is Out, and Here’s a Trailer!

I know you have all been waiting on the fabled tenterhooks, so now, finally, HERE IT IS! The Rochdale Poltergeist is an account of the famous 1996 case that I wrote with the honest-to-gosh, real-life parapsychologist who investigated the case, Steve Mera, the director of the Scientific Establishment of Parapsychology (SEP) in Manchester, England. It’s available in both print and ebook formats from Amazon, so buy, read, review! And here’s a short trailer I made to whet your appetite! Happy haunting, paranormal pals!

Coming Soon: The Rochdale Poltergeist

Greetings, minions! It’s Friday! It’s my birthday eve! And it’s a lovely day for another reason, as well: two of the big projects I’ve been busting my ass on and stressing out over for the past several months are finally wrapping up! The first, of course, is the previously mentioned cookbook from the esteemed Vegan Black Metal Chef, which I designed in the evillest fashion I knew how. Pick up your copy in just a few short months, and craft meals to please the Vegan Satan!

The second project is the poltergeist book I’ve been working on with parapsychologist Steve Mera of MAPIT in England. Since I know how much you fuckers enjoyed my book The Mammoth Mountain Poltergeist—you know, the one I wrote with the God of Hellfire, who totally saw some crazy paranormal shit when he was a teenager—I just know you’ll love this one just as much! It’s an account of the 1995 Rochdale Poltergeist case as told by Mera himself, who investigated the disturbances, and it is creepy as fuck. I’m shooting for having the print book out before Halloween, with an ebook version to follow shortly afterward. Be on the lookout!

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And now that these projects are completed, I can get back to my regular blog postings and some new writing projects I want to get into! I’ll be updating everyone on these as they happen, of course, so keep reading and following. Until next time, Goddess out.

Odds, Sods, Gods and Broads: The Goddess Makes Entirely Too Much Work For Herself

The cause of evil never rests, as all of you know, and as a card-carrying emissary of said evil, I work tirelessly to bring you, my minions, the most enjoyable nastiness that my fevered brain can vomit up. Yes, I bestow upon you small nuggets of nefariousness in the form of these here blog posts (and I will have a new Scary Silents up by the beginning of next week, I promise; it will either be about The Sealed Room from 1909 or Dante’s Inferno from 1911, so sit tight), but there is so much more, darklings, and perhaps you don’t realize the extent of my iniquitous empire. If you’ve read any of my previous ramblings, you’ll know that I often piss and moan about how busy I am, so for your edification, I’m gonna outline exactly what I’m doing with all my malevolent hours. So here, in handy-dandy list form with pictures and links and everything, are the ten projects the Goddess has going on right now:

1. Something Old, Something New

Like any writer, I have a fuckton of unpublished bullshit lying around on the sofa, not helping out with the rent and just generally being useless wastes of space. In order to make these shiftless little word-bums earn their keep, I’ve decided to put out a NEW print book containing a veritable gumbo of goodness: New short stories! Older short stories that appeared in anthologies years ago that you probably didn’t read! Unpublished screenplays! Even modified versions of some of my favorite posts on this very site! At the moment, the book’s working title is Salmagundi, but I might change it if I think of something better, which I probably will. It’s gonna be an epic compilation of my various brain leavings and obsessions, and you’ll all need to buy copies for everyone you know for the upcoming holiday season, or else Jesus won’t bring you any presents and Santa Claus will let his reindeer shit in your rain gutters. I will, of course, be posting the link when this literary milestone drops, so keep your eyeballs peeled.

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2. Mammoth Mountain Mischief

By now you all know that the book I co-authored with the God of Hellfire, The Mammoth Mountain Poltergeist, is the best poltergeist book ever penned and will bring about world peace in our lifetimes. In my frazzled, half-assed way, I try to promote the thing, mostly through paranormal-type radio shows and podcasts (such as here, here, and here). The GoH and I will soon be appearing on yet another one of these, the UK-based Keeping the Paranormal Friendly show! Tune in on Sunday, August 9th at 4:00pm Eastern Time and watch our sexy, Skype-enabled mugs flapping our jaws about the book. Then buy a copy in print or Kindle, goddammit.

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3. More Paranormal Hijinks

As I believe I’ve mentioned a few times before, my above-mentioned foray into paranormal nonfiction drew the attention of British parapsychologist Steve Mera of MAPIT, and I am working with him on a book about the Rochdale poltergeist case from 1996. I’ve written the bulk of the narrative, and now the first draft of it is in Steve’s hands so that he can correct details and add his own insights. I’m not sure when this will be done, but it will definitely be soon, so again, keep watching this space.

4. Dirty, Filthy Sex

Since some of my horror stories veer into erotica territory, I’ve been toying with the idea of starting a series of straight-up erotica tales (which, since it’s me, will likely have horror elements, because I just can’t seem to help myself). These will be longer short stories, published as ebook exclusives and sold for about 99 cents each. I will also probably write them under a pseudonym, just to keep everything kinda separate, but I’m not gonna make a big secret about what the pseudonym is (when I decide on one, that is), so I’m not trying to be sneaky or nothin’. I’ve written part of an erotic short story so far, and hopefully I’d like to get to the point where I’m cranking out at least one a week. Keep the lube and tissues handy for the first moist installment!

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5. Ambition, Thy Name is Goddess

Christ on a cream cracker, I’m already worn out and I’m only on number five. But this here is a project I’ve been mulling over for years, and I hope to have it come to fruition fully in 2016. It’s going to be a serialized novel/interactive mystery that spans several mediums. I don’t want to go into too many details, because I’m still working everything out, but I’m very excited about this and hope I can do it without fucking it all up. I’ve already got gobs and gobs of notes, layouts, designs, video scripts, and so forth; the logistics of it are complicated, but I think it’ll either turn out super cool and make me a beloved horror sensation, or flop spectacularly into a wet diarrhea fart of insignificance. Either way, it’ll be fun for me to do, so, y’know. *shrug*

6. Cooking With Satan

Here’s something you might not know: In addition to being a writer, I am also a graphic designer. Here’s another thing you might not know: I have cool-as-shit friends. One of these friends is the motherfuckin’ Vegan Black Metal Chef, who is rad and metal as fuck and has an awesome YouTube show where he cooks delicious vegan vittles whilst he serenades you with ear-bleeding death-metal tunes that describe the recipe so that you may follow along in your own kitchen/dungeon. Subscribe to him, he rules. Anyway, I have been working with him for the past several months to design a cookbook as epic as his show is, and we’ll be coming down the home stretch in the next couple months. By the way, he has a Patreon, so throw some filthy lucre in his direction. The book is gonna be badass, and seriously, you don’t have to be a vegan to want to cook some of this shit in here, because all of it is devilishly delectable. *horned hand salute*

7. All About the Club Life

Speaking of cool-as-shit friends, I have another one known as DJ Lavidicus, and he hosts the best monthly goth-industrial night in central Florida, Memento Mori at Independent Bar in downtown Orlando. Great music, great crowd, great vibe, and if you’re in the area, you need to check it out as soon as you can. The GoH and I always make an appearance, and we also have a hand in promoting the night and the scene in general! I design all the posters and promo materials! The next one is going to be on Monday, August 17th, but go to the Facebook page to keep up with dates and make requests! (Might as well check out the Facebook page I run with the GoH too, Our Gothic Orlando, while you’re at it, and also check out Cold Therapy, the band featuring the beautiful wife of DJ Lavidicus, Jen Draven.)

Oh, and I can’t mention Memento Mori without mentioning our other beloved monthly scene night, Escape at Southern Nights! Hosted by some talented and batshit insane friends of ours, it tends more toward fetish, with outrageous costumes, monthly themes, sexy dancers, crazy game shows, and general debauchery, so kindly stop by, say hello to the GoH and myself, and maybe have a chance to go up on stage and get playfully molested by a giant bunny! Here are a few videos to whet your appetite!

8. I Know People in Bands Too, You Guys

Speaking of that graphic design work I do, a large percentage of it comes from my amazing friend Imani and her company, Valkyrie Management. She manages tons of (largely) death metal bands in the area, and she’s always got shows going all over the place, for which I design several posters, tickets and T-shirts every month. Check out her page, check out her bands, go see some of them play! Live music, motherfucker!

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9. Looking for a Handout

If you have a few meager pennies left after tossing money at everything else on this list, won’t you consider dropping a few into the coffers over at my Patreon page? You can get free books and other cool shit, and I promise it’ll be a couple bucks well spent. COUGH IT UP, PEONS. Ahem. I mean, thank you in advance.

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10. Oh Yeah, That Nine to Five Thing

Did I mention I also have a full-time job doing graphic design at a printing company? I’m not gonna tell y’all where it is, though, because you might stalk me. 🙂

And now, back into the fray. Until next time, keep it creepy, my friends. Goddess out.

The Mammoth Mountain Poltergeist on Jim Harold’s Paranormal Podcast

Greetings, minions! Sorry I’ve been neglecting you, but I’ve really been inundated with work and haven’t had much chance to write any new stuff for this here blog. I will get back to it as soon as I can, but in the meantime, I took the GoH and I’s appearance on Jim Harold’s Paranormal Podcast and edited it down to the half hour that was just us, plus made a little video with photos from the book. So if you’d like to watch and listen, here you go:

Audio of Our Appearance on Jim Harold’s Radio Show

Remember a little while back, when I said that the GoH and I were on Jim Harold’s radio show talking about The Mammoth Mountain Poltergeist? Well, in case you missed it, here is the podcast that you may download and listen to at your leisure. We are on the second segment. Enjoy! Oh, and by the way, I still have that Patreon thing going, so if you’d like to contribute a few bucks and get some nice perks like free books and what not, click here and make your offerings unto the Goddess. Thank you, dears.

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The Goddess’s Favorite Creepy Movie Scenes, or It’s Not Kidnapping, It’s Borrowing

I’m ashamed to say I had never heard of the movie I’m featuring today, which is the phenomenal British film Séance on a Wet Afternoon. It was recommended to me by a friend on Facebook, and over the weekend I sat down and spent a chilling two hours with it, marveling at its atmospheric mood and incredible psychological depth. It’s not a horror movie per se, but it is an intensely disturbing, absorbing thriller that garnered gobs and gobs of accolades when it came out back in 1964, including a Best Actress Oscar nomination for lead Kim Stanley. She lost to Julie Andrews in Mary Poppins, which is a terrible shame, though not all that surprising, frankly. Don’t get me wrong, I love Julie Andrews, but I definitely think Kim Stanley got robbed in this case. Her portrayal of a mentally unstable spirit medium was so nuanced and eerie that I found myself completely enthralled by the way her character came across as so sweet and harmless on the surface, while a manipulative, dark insanity lurked just beneath. Incidentally, if you’d like to watch for yourself, here you go, and if you’d like to read further, be warned that there will be spoilers:

The plot basically details a completely batshit scheme that working-class medium Myra Savage concocts to get attention and notoriety for her supposed psychic abilities. The film remains ambiguous about whether her abilities are real, but she clearly believes that they are, and that her stillborn son Arthur is acting as her spirit guide at the weekly séances she holds in their home. If you’re a regular reader of this blog, you’ll know how much I love this type of ambiguity in films, and it’s especially good here; while we become unshakably certain over the course of the film that Myra is quite insane, we’re never entirely sure whether her mediumship is a cause or an effect of her insanity.

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Using her cowed, milquetoast husband Billy (played by Richard Attenborough) to do her dirty work, Myra kidnaps (or “borrows,” as she insists on calling it) the daughter of a very wealthy, connected couple and ransoms the child for £25,000. Initially, Myra and Billy don’t plan to hurt the child or even keep the ransom money; their intentions are far more convoluted and insidious than that, and it’s implied that they’ve been refining the details for years. In a nutshell, they plan to keep the child and the ransom money hidden until Myra has made contact with the child’s parents and the police, whereupon she will claim that she has received messages from beyond that tell her where the child and the money can be found. She is sure that this will make a name for her throughout the land, and she hopes the news of her success will lead to fame and riches down the line.

As should be obvious from the type of film this is, the plan ultimately doesn’t go the way it was supposed to, and slowly sprouts ever more disturbing tendrils as Myra’s fragile hold on sanity begins to crumble away. Because the film doesn’t make clear from the beginning what the specifics of Myra’s plan are, and doesn’t explicitly lay out how she begins to subtly change the details as the story progresses, it’s a rather gripping watch; the tension keeps escalating as the viewer wonders what exactly the endgame is, and what exactly will go wrong.

The creepiest thing about this film, I thought, was the interplay between Myra and Billy, and the unspoken dynamic between them that made the presumably decent but weak-willed Billy go along with his wife’s obviously delusional ideas without too much complaint. Myra does not browbeat Billy into doing her will; she does not threaten him. Their relationship is such that she does not need to; she is able to convince him through the sheer force of her seemingly reasonable wheedling, and her slow escalation of requests that ultimately leave Billy in the same position as that fabled frog in boiling water. He obviously loves her dearly, and because he does, he has accepted that she sees him as nothing more than a tool to facilitate her own desires. In this way, Billy is quite a tragic character, subsuming his own identity and moral compass in deference to hers. At one point Myra tells him that the kidnapping of the child is simply a means to an end for them; no one is going to be hurt, she points out, and they won’t even be keeping the parents’ money, so what harm is there? “You agree with the end, don’t you?” she asks him in her soft, sweet voice, and when he assents, she follows with the seemingly logical conclusion, “Well, then you must agree with the means.” The great thing about this is that from their interactions, the viewer can really feel the weight of the years of their marriage behind them, of how her manipulation of Billy and his passive acceptance of it are simply par for the course. It is only at the very end of the film, when Myra has taken things one step too far, that Billy finally nuts up and blows the whistle on her, at which point she has lost her marbles to such a degree that she is no longer able to protest.

The scenes with Myra interacting with the kidnapped child are also pretty unsettling, as it’s clear that Myra views the girl in the exact same way she views Billy: As a thing that will get her the results she wants. She is never cruel to the child at all, but she is chillingly indifferent and detached, both when she speaks to her and when she speaks about her. That’s the great strength of Kim Stanley’s performance; the viewer is drawn in by her seemingly demure, motherly exterior and only slowly starts to realize that Myra is a sociopathic monster. It’s a fantastic study in the banality of evil.

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Aside from the stellar characterization and almost unbearable suspense, the film also looks gorgeous, with lovely, atmospheric shots of candlelit faces around a séance table, or spooky houses reflected in puddles of rainwater. As I said before, it’s not strictly a horror film, but its look and subject matter definitely put it in the same league with the great ghost stories and thrillers of the period, and I would recommend it for any fans of either genre; it’s just a shame it’s not better known.

Stay tuned for more good stuff later in the week, and until next time, keep it creepy, my friends. Goddess out.